I think that for me it probably wasn’t the best decision to do a daytime, hourly talk show every single day. Design is something I think is elective. It’s something a lot of people feel is a luxury. It’s not must-see TV. For me, design is really important, but in order to do a show every day you have to talk about a lot of other things. You have to talk about cooking, fashion, style.
The truth is I’m very grateful that I had two full seasons — the show is on until September. It takes a long time for a show to gain traction and to find its viewership. I had a very loyal audience on Facebook, on Twitter, posting and tweeting about how they loved this recipe or the talented people my producers and I found and made a part of the show. The audience was very loyal from the beginning but the audience didn’t grow by leaps and bounds. That’s the goal with a daily syndicated show. The ratings for my show were decent. We had a lot of viewers, a lot of people who had seen my work on “Oprah” and I think they expected the same from a daily show.
Truthfully, I was on “Oprah” about every six weeks for 10 years. The production that went into every single time I was there took weeks and weeks and weeks to do. You can’t replicate that magnitude when you are doing something every day. Would I do it again? Probably not. I learned a lot from that experience. I think the most important thing that I took away were the relationships that I have now; the producers [with whom] I worked. It’s almost like being in summer camp together. You’re in sort of the trenches every single day and as soon as you finish a show you’ve got another one coming right up the pipeline. It’s like a column. It was definitely a wonderful experience for me, but I learned it’s probably not what I was meant to do and that’s OK.
What do you think? Do you agree with Berkus’ assessment? What do you think worked? What didn’t? Are you missing the program?
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